If not I may get some vintage 30s rated at 8ohms each for my G212V giving me 4ohms in series which would likely resolve the issue :) It was pushing out about 95% of my Bugera when set at gig levels BUT this is not through 4ohms and likely through a 4ohm cab it would be crazy loud!! As it is I was going to return it in order to buy a DV Mark 250 but I missed the 30 day return period so I'll be keeping it and seeing whether it will be loud enough to gig with using my current setup. BUT we are a VERY loud band with a VERY heavy hitting drummer. Second test was to check the output at gig volumes and I'll be honest it isn't as loud as my gig volume from my Bugera. First test was the sound and it is very good, not as dynamic as my tube amps but I don't expect it to be. I bought the amp as a spare to keep in my bag when gigging should my Bugera V22 Head fail. The only thing I was disappointed with is the output running through an 2x12 (Hareley Benton G212V) set at 8ohm mono. It is clean and clear all the way through to being dimed and I mean that, I tested with the volme on full, the wife wasn't too happy :) ! It's a great clean base for a pedal platform. It's insanely powerful, versatile and offers a ton of tweakability.Well, the sound out of this thing exceeds expectations. Whether you're a modeller user who wants to claw back that elusive "amp feel", or a pedal aficionado who wants to ditch your bulky amp head, the Seymour Duncan Powerstage 200 has got you covered.
Seymour duncan power stage 170 free#
There's also a switch that defeats the EQ on the DI and headphone amps, which leaves you free to tweak away and get your stage sound just right without affecting the signal you're sending to FOH. There's also a headphone output with its own level for silent practice, or for running IEMs on stage. You can defeat the internal cab sim at the press of a button if you'd rather use your favourite IR pedal instead (or if you're running IRs in your modeller and powering an FRFR cab), but the built-in sim sounds excellent. Speaking of sound engineers, the Powerstage 200 also features a balanced XLR output, complete with a cab sim. That said, you're highly unlikely to push the Powerstage 200 anywhere near its limit without incurring the wrath of even the most tolerant sound engineer - this thing is barbarically powerful! If you're intending on pushing this thing up to its limit, you're probably going to need a 4x12, or if you're going to use a smaller cab then you'll want some seriously powerful speakers (like a Celestion Copperback). Speaking of cabs, it's worth noting that 200w of output is a LOT of power.
The EQ is extremely powerful, so you'll have no trouble matching your tone to whatever cab you plug into. If you're using a modeller, you can leave this flat and tweak from there, but if you're using the Powerstage 200 as a clean platform for your drive pedals then a slight midrange scoop puts the Powerstage well in the ballpark of a traditional valve amplifier. There are a single master volume knob and a four-band EQ (bass, mid, treble and presence) for sculpting your tone. It shares a similar form factor with the Powerstage 170, but with a few clever features that it's little sibling lacks. If you've ever heard the familiar refrain that "modellers sound great but don't *feel* right", this what it means.Įnter Seymour Duncan and the Powerstage 200, (Sitting squarely in the middle of their Powerstage line) this compact and brutally powerful unit is small enough to mount directly to your pedalboard, and pumps out 200w of power to the speaker cabinet of your choice. The air being pushed by the amplifier interacts with the guitar in a way that stage monitors just can't recreate. The reason? The guitar and amplifier are not separate entities, but rather a system. But in spite of how great modelling technology is these days, guitarists just won't let go of their expensive, heavy, fragile valve amplifiers.
Keyboard players long ago abandoned dragging B3s with Leslie cabinets around in favour of sleek red Nords and a laptop. Guitar players are famously conservative when it comes to gear. Complete with built-in speaker cabinet emulation so you can record directly into your DAW, the Seymour Duncan PowerStage 200 is a powerful solution both on stage and in the studio. Seymour Duncan Powerstage 200 MSRP: (UK) £449 / (US) $712Įngineered to attain the best tone and performance from your pedal-based electric guitar rig, Seymour Duncan's PowerStage 200 is a miniature power amplifier that is small enough to fit right on your pedalboard.
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